- Renaissance Compressor Plugin | Waves
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Silver compressor logic pro x free. Renaissance Compressor
- which Logic compressor? - Apple Community
It has a stupid attak and does not have any gain control, I loose the control of the sound every time I try it. I personally don't use it. Maybe it has a certain sound and some people like to use it, but personally I haven't found a use for it. Note that many of those older plug-ins are kept in Logic for backward compatibility so you can still open an older song that was mixed before the newer compressor plug-ins appeared.
My new Logic Pro Book is out! Backward compatibility? Maybe in the future it can be embed as a circuit type of the logic compressor The Logic compressor's architecture is fundamentally different from the Silver Compressor. They don't even have the same parameters. Anyway, not sure why you think that would be a good idea IMO that would be a horrible idea. I personally never use the regular compressor but love the Silver compressor.
I like the vibe of it. It's simple and in a way feel like older analog compressors. Slow attack, fast release! Start with the threshold up high and slowly bring it down til it starts compressing enough to were the vox, backups or bass sit in the mix. Anyways I can see why it's not for eveyone but I love it but it is certainlly not the only comp i use I have had some fantastic results on transients like those of snare samples etc You can use it to really change the sound. It carries great features which are beneficial for beginners as well as professionals.
It does a lot more than just cutting, trimming and joining audios. If you feel Logic Pro is a bit too much, then opt for Audacity. Considering its features, the app is also a very good substitute you might try. It is free to download and provides you with a multitude of features.
You can record or edit a sound from your computer. It is easy to handle and gives great results. It is another iOS option to choose from. GarageBand is a reliable DAW that is used widely around the globe.
The app has a large library of a host of music to choose from. The Studio VCA also adds some really nice harmonic saturation to the vocals, making them a bit warmer and thicker. I thought the Platinum Digital and the Classic VCA sounded the worst because I could hear very noticeable volume drop whenever there is a loud part, and I could hear the vocal levels fluctuate quite a lot, which is really not ideal for vocal compression.
Aside from the best and the worst, the rest of the compressors all sounded pretty similar to one another, and they sounded okay. Now of course I know with different settings you might get better results, because if these plugin emulations are anywhere like the hardware counterparts, their attack and release should be all different from one compressor to another, even at the same values.
I just used the same settings for all for demonstration purposes. In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes. They have plenty of low frequency jumps and they are very dynamic.
Good compression on metal rhythm guitars means reducing these palm mute jumps in an unnoticeable way , while retaining the punch of the palm mutes. We would need a compressor with really fast attack and release for that. Again, all the compressors have the same settings, which are fast attack, fastest release, 4 to 1 ratio, and a hard knee if there is a knee control. All the compressors do the same amount of gain reduction as well. This time, quite a few of the compressors sounded equally good, but the Platinum Digital still sounded the worst, with the Classic VCA sounding the second worst again.
I believe the Studio VCA sounded the cleanest, in that it colored the audio the least, while the Vintage Opto and the Vintage VCA added a subtle but nice mid-range bite to the guitar tone. The Platinum Digital and the Classic VCA, however, really struggled to keep up big time, even though I used a really fast attack and the fastest release.
Very good performance and recording. All the compressors are set to 12 milliseconds for attack, 51 milliseconds for release, 2 to 1 ratio, and a medium knee if there is a knee control. They are all doing about 5 to 7 db of gain reduction. I did notice that some compressors changed the tone of the acoustic guitar very slightly. For this particular bass track, I have set all the compressors to 8 milliseconds for attack, milliseconds for release, 4 to 1 ratio, and medium knee if there is a knee control.
All compressors do the same amount of gain reduction. To my ears, the clear winner is the Platinum Digital. It sounded the most natural, most transparent and the cleanest. The drum bus is always my favorite thing to test compressors on. First, take a listen to the uncompressed version:. We are going to hear how these different compressors will react to the drum transients. All the compressors have 50 milliseconds for attack, fastest release, 4 to 1 ratio and a hard knee if there is a knee control, and they are all doing 4 to 6 db of gain reduction.
The rest of the compressors are very close.
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